Interview Essay - Jacey Hart -- Interview Essays

Interview Essay - Jacey Hart J.C. Hart is a native Californian, and was born June 10, 1927, in Inglewood. She has been married to her husband, Jim for fifty-two years. Together they have raised one son and two daughters, who also reside in Southern California. J.C. feels that her family and marriage have provided the foundation for happiness in her life. When she married Jim in 1948, she found great happiness just in spending time with him. Over the years her definition of happiness has changed. J.C.'s children were of foremost importance in her life and added to her happiness. Certain years spent working also contributed to her happiness. She said, "The emphasis has changed, but not the foundation." Sometimes J.C. knew she was happy because she felt euphoric, but mainly her feelings of happiness come from being content. She said that she feels more satisfied than happy now when accomplishing something. "I'm not likely to reach out, because negative emotions were not always welcomed." But she feels that her husband, Jim has played a significant role in helping her cope with unhappiness. Because of his sensitivity towards her, J.C. hasn't experienced any "serious sorrows." She doesn't like to spend time feeling low. Physical activities and a sense of accomplishment help lighten her mood. She enjoys participating in Saddleback College's exercise classes that are held in Leisure World. Companionship, singing in her church, and watching sunrises, sunsets and the moon are important activities for J.C.'s sense of happiness. There are a couple of things make J.C. unhappy. One is when she gets discouraged when her time is spent unproductively. She is a fan of PBS, and enjoys spending some of her time watching their many fasc... ... faith and more on intellectual challenges, and social/political awareness. J.C. believes that parents today seem to put more emphasis on enjoying their children, rather than on being a "successful parent." She says that enjoying your children, and parenting them with love, respect and a positive attitude is a great way to achieve happiness. To achieve happiness, J.C. suggests that a person should be willing to keep learning, act on positive impulses, not put things off, and take good care of their health. Summarizing this advice with her philosophy on life, she emphasized the importance of striking a balance between your family, your social life, the contributions you make to society, and the accomplishment of your desired goals. After meeting J.C. Hart, I feel that her last name should be HEART. She has an aura of love, warmth, and wisdom that touched Me. Interview Essay - Jacey Hart -- Interview Essays Interview Essay - Jacey Hart J.C. Hart is a native Californian, and was born June 10, 1927, in Inglewood. She has been married to her husband, Jim for fifty-two years. Together they have raised one son and two daughters, who also reside in Southern California. J.C. feels that her family and marriage have provided the foundation for happiness in her life. When she married Jim in 1948, she found great happiness just in spending time with him. Over the years her definition of happiness has changed. J.C.'s children were of foremost importance in her life and added to her happiness. Certain years spent working also contributed to her happiness. She said, "The emphasis has changed, but not the foundation." Sometimes J.C. knew she was happy because she felt euphoric, but mainly her feelings of happiness come from being content. She said that she feels more satisfied than happy now when accomplishing something. "I'm not likely to reach out, because negative emotions were not always welcomed." But she feels that her husband, Jim has played a significant role in helping her cope with unhappiness. Because of his sensitivity towards her, J.C. hasn't experienced any "serious sorrows." She doesn't like to spend time feeling low. Physical activities and a sense of accomplishment help lighten her mood. She enjoys participating in Saddleback College's exercise classes that are held in Leisure World. Companionship, singing in her church, and watching sunrises, sunsets and the moon are important activities for J.C.'s sense of happiness. There are a couple of things make J.C. unhappy. One is when she gets discouraged when her time is spent unproductively. She is a fan of PBS, and enjoys spending some of her time watching their many fasc... ... faith and more on intellectual challenges, and social/political awareness. J.C. believes that parents today seem to put more emphasis on enjoying their children, rather than on being a "successful parent." She says that enjoying your children, and parenting them with love, respect and a positive attitude is a great way to achieve happiness. To achieve happiness, J.C. suggests that a person should be willing to keep learning, act on positive impulses, not put things off, and take good care of their health. Summarizing this advice with her philosophy on life, she emphasized the importance of striking a balance between your family, your social life, the contributions you make to society, and the accomplishment of your desired goals. After meeting J.C. Hart, I feel that her last name should be HEART. She has an aura of love, warmth, and wisdom that touched Me.

In what ways are Gatsby and George Wilson similar or dissimilar, to whom is Nick more sympathetic towards? Essay

In what ways are Gatsby and George Wilson similar or dissimilar, to whom is Nick more sympathetic towards? Fitzgerald purposefully contrasts his characters throughout the novel, in order to compare contrasting worlds that were present in American society. Although there are some clear differences between Gatsby and George, there are also superficial similarities between them that each man has to experience and put up with. Drawing upon the more apparent differences between these two characters, it is evident that they have differing wealth. Gatsby is depicted as being rich through the means of the ‘Hotel de Ville’ or ‘mansion'(11) that he owns, and also by the way he holds lavish parties where ‘champagne was served in glasses bigger than finger-bowls'(48). Considering that Gatsby lives in West Egg not only reveals the true extent of his wealth, but additionally it shows that he is ‘noveau riche’ rather than ‘old’ rich like those who inhabit East Egg. Gatsby has only recently acquired his wealth after migrating from the Midwest whilst following the ‘New’ American Dream. The original dream consisted of any American citizen having the right to pursue their goals and dreams through hard work and free choice. It was the opportunity to make individual choices without the underlying restrictions of class, caste, religion, race, or ethnic group, that once overshadowed people. Often, people followed the common saying, ‘Go West young man!’ where the land was uninhabited and extremely fertile. In the case of the ‘New’ dream, it was simply how the dream had become interpreted by the 1920s. It was a distortion from the original dream to the idea of ‘Get rich quick’. Being of ‘New’ wealth, Gatsby tries to flaunt his wealth about. When Nick asks Gatsby whether he is going to go home that night following the vehicular manslaughter of Myrtle by Daisy, Nick describes Gatsby in chapter eight, as wearing a ‘pink rag of a suit'(147).This description suggests how Gatsby wears these expensive, gaudy and colourful items of clothing in order to display his wealth ostentatiously. The idea behind this pretentious displayal of the opulence that he has acquired, may be a method used by Gatsby in order to stand out from the crowd and to break away from periphery and into East Egg high society. This is a means to an end that he requires so that he can get even closer to retrieving Daisy and thus accomplishing his distorted version of the American Dream. In comparison, George lives in the rubbish tip that is the ‘Valley of the Ashes’. All that ‘grows’ on it is dead and the words ‘Ash’ and ‘grey’ that Fitzgerald uses to describe it with in chapter two, not only emphasise the literally dull and unfulfilling nature of the landscape here, but also the dull and unfulfilling lives of those like George Wilson who inhabit this valley. In chapter two it becomes apparent how little respect George’s wife has for her husband, when she says ‘He burrowed somebody’s best suit to get married in.’ This shows how poor he is because he cannot even afford a wedding suit of his own to get married in. In comparison to Gatsby, he has little material wealth. Gatsby appears to have originated from a poor background in the West which is similar to George’s background. However, the effects of this poor background influence both men differently. Originating in the West, rural North Dakota, he followed the ‘New’ American Dream in order to ‘Get rich quick’ and this pushed him towards organized crime, such as bootlegging. During the 1920s, there was a prohibition which imposed the law that alcohol was to be banned. Gangsters like Gatsby, were able to make a fortune out of this time through the illegal distribution of alcohol and trading in stolen securities. This was all a means though of achieving his distorted version of the American Dream, which was to retrieve Daisy. Importantly, he does not abide by the ‘protestant work ethic’ which states that a man should work hard and earn a comfortable living by which he and his family can live a peaceful, enjoyable life off. He also participated in a bit of bond fraud on the side as Fitzgerald notifies the reader in chapter nine (158). A strange caller says to Nick (thinking him Gatsby), ‘Young Parke’s in trouble. They picked him up when he handed the bonds over the counter.’ The way he commits himself to such illegalities is irresponsible on his behalf and it reveals how the American Dream has become revolved around money. Human greediness to obtain money, have corrupted the dream that once was so much more innocent. Comparatively, George does not involve himself in such a tainted world and instead follows a morally acceptable path in life by owning a legal garage. To some extent though, Fitzgerald uses this character to emphasise how such a traditional stance like the one George takes up (where one follows the ‘Protestant work ethic’), is unable to survive in such a morally decayed world that was the Jazz Age. Fitzgerald describes him in chapter two, as ‘mingling immediately with the cement colour of the walls’ of his garage. In some way it shows how the years he has been following this legitimate path, have caused him to effectively fade away into the dull environment that he inhabits. Kathleen Parkinson described Gatsby as ‘a mysterious and ambivalent figure’. This is a true interpretation of Gatsby in the sense that, unlike George, there is a build up prior to his introduction into the novel. At Gatsby’s first party in chapter three, various rumours of Gatsby’s past circulate the party. One guest exclaims that Gatsby is a ‘nephew of Kaiser Wilhelm’ and others go on to say how they heard that he had ‘killed a man’ or ‘been a German spy’ or ‘been in the American army.’ All this mystery serves to stimulate Nick’s curiosity, which possibly leads to his more lenient and sympathetic stance when it comes to Gatsby. It also creates a sense of suspense in the reader that heightened Gatsby’s entrance into the novel. Rumour plays an integral role in the novel as Fitzgerald uses it to provide the reader with the option of deciding whether or not they believe it and this technique evo kes more interest in certain characters like Gatsby. Evidently, Gatsby embodies the idea of the American Dream as is suggested in chapter three where Nick reports on how Gatsby would look across the golf at ‘that green light’ every night. This ‘green light’ would have symbolised various things for Gatsby. It would have been a symbol of generally the American Dream, but also more specifically for Gatsby, the prospect of the ‘green’ colour of money and achieving Daisy. Gatsby appears to have achieved the American Dream to some extent as he has risen from an impoverished child to a young man with great material wealth. He is the main dreamer in the novel; however, it appears that he is following two dreams. His initial dream becomes apparent in chapter nine where Gatsby’s father talks of Gatsby’s ‘SCHEDULE’ that he wrote when he was seventeen. In the ‘GENERAL RESOLVES’ (164) Gatsby wrote ‘Read one improving book or magazine per week’ which reveals straightaway how his dream of becoming rich and fitting into the world of high society, originates from when he was a teenager. Additionally, it uncovers the immaturity of Gatsby and his dream, as he has never allowed his dream to develop and grow up like he has. His other dream was a distorted version of the American dream, (which in some way used the wealth he had gained from achieving the American Dream), which was to retrieve his childhood love – Daisy. This dream was established in the past, and therefore fixates on the past. Gatsby’s naà ¯Ã‚ ¿Ã‚ ½ve personality and his ruthlessness to achieve this dream ignore what Daisy has become and he appears to pursue the ‘old’ Daisy which remains vividly in his dreams. The way in which Gatsby was driven by his undying love for a woman is a reflection of Fitzgerald’s own life and dreams too. He too joined the army (1917) and eventually fell in love with a seventeen year old girl called ‘Zelda Sayre’. Zelda finally agreed to marry him, but her overpowering desire for wealth, fun, and leisure led her to delay their wedding until he could prove a success. Their relationship appears to be like Gatsby and Daisy’s. The following quote reveals the point in the novel at which all of Daisy’s charm and beauty is stripped away, leaving nothing but money to be admired underneath: ‘That was it. I’d never understood before. It was full of money- that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it.’ (Chapter seven) Gatsby realizes late into the novel, how his dream has been ripped apart into dollar bills as he discovers that for years he has been in pursuit of not love, but cold, harsh money which is hidden behind the disguise of a human face. Following the death of Gatsby and the suicide of George, it becomes apparent that Fitzgerald is using the deaths of a rich man and a poor man who both set out to achieve their unattainable goals, to symbolise the death of the original dream on which America was founded. With consideration given to George, he too shares the American Dream with Gatsby; however he seems to be pursuing the ‘old’ American Dream and not the ‘New’ one like Gatsby. George reveals his dream in chapter seven, where he says: I’ve been here too long. I want to get away. My wife and I want to go West. She’s been talking about it for ten years.’ Clearly his dream is the opposite of Gatsby’s. He wants to migrate West like the original settlers and wants to follow the idea to ‘Go West young man!’ This idea was commonly followed by many families who would migrate out to the West and set up a basis to gather wealth. This is the case for the characters, Tom and Daisy, whose families formed their wealth out in the West through hard labour, so that their children could have better lives than they did. Undoubtedly, George wants his share of this; however, the way in which he says that his wife has ‘been talking about it for ten years’ is possibly a suggestion that it is more her dream than his and that he has been bullied into dreaming of it by her domineering nature. Whatever the case, he almost definitely dreams of a more comfortable life than what he already suffers. Gatsby and George are similar in the ways they both resort to deception in order to attain their originally unattainable dreams. They both resort to this in their relationships. Gatsby is found to do this in chapters four and five. When Nick is informed of the history between Gatsby and Daisy, by Jordan, it appears that she believed him to have wealthy roots when he did not. In chapter five he tells Daisy how ‘it only took him three years to earn the money that bought’ his mansion. He initially created the false perception of himself that fooled Daisy into false hope. Daisy probably saw in Gatsby a future of material possessions and comfort, which she adored. But he did not have this and when he comes round to having this in the latter, he lies about how he came to earn the money. He shields her from his true identity as a criminal, so that once again he can relight the false perception she had of him. George follows suit and lies to Myrtle early on in their relationship. When Myrtle reveals her hatred towards her husband in chapter two, she says ‘I married him because I thought he was a gentleman. I thought he knew something about breeding, but he wasn’t fit to lick my shoe.’ As it appears through the use of the word ‘gentleman’, Myrtle wanted to marry someone of higher social status and of wealth, and George apparently gave her the false hope of this. He creates a false persona that fools her into thinking that her dream is coming true. In some way, the relationship between George and his wife is possibly what may have occurred in the relationship between Gatsby and Daisy, if they had run away together in their youth. There is a mirror image or reflection between Gatsby’s relationship and George’s, and Fitzgerald parallels the consequences of both. Comparing both men, they both seem to be solitary figures who are overly involved in their work. For instance, when looking at Gatsby he is clearly a type of ‘loner’ and this may be down to the fact that he is too set upon retrieving Daisy to have anytime for others. The only circumstance that he has friends is when they are a means to an end with Gatsby, as he only manipulates them to get something out of them. For instance, he befriends Jordan and Nick especially as means of getting closer to Daisy. In chapter four, it is clear that Gatsby has manipulated Jordan into sorting out a meeting between him and Daisy, when she says to Nick: ‘You’re supposed to invite her to tea’ (78). The inclusion of the word ‘supposed’, suggests how Gatsby plans what he wants to get out of people. At Gatsby’s first party ‘the girls swoon back into the men’s encircling arms, but no one swooned backward on Gatsby.’ This example shows how Gatsby never socialised with people unless he required something from them, and as Nick shows in chapter three where he says that he ‘hasn’t even seen the host’ (49), hardly anyone really knows who Gatsby is. Also, he constantly thinks of his work. Even at his parties, he rudely has to excuse himself to take calls from places like ‘Philadelphia’ and ‘Chicago’ which are renowned cities for their corrupt environments where gangsters based themselves. This work is funding his dream in a way, as if he had not been gathering money like this, then he would still be poor and he would not have had the money to buy such been close to Daisy. George similarly is a man of solitude due to his wife and work; he is portrayed as having no real friends. He is a sick failure who is reduced to the status of a ‘ghost’. This ‘ghost-like’ appearance or presence is highlighted in chapter two when Tom and Nick visit George at the garage and his wife Myrtle is said to have ‘smiled slowly and, walking through her husband as if he were a ghost.’ This emphasises the lack of presence and authority he has, as his wife walks through him not noticing or caring that he is standing there. She is far more interested in Tom to care about where her husband is. The way he is referred to as a ‘ghost’ – the disembodied spirit or soul of a deceased person – is a link to not only death but more specifically, the death of the land he lives in. Fitzgerald is therefore linking George to the failure of the ‘Valley of ashes’ and it is noticeable that he never does this sort of thing with Gatsby. Gatsby is never linked to the riches of the land of the Eggs, which in a way shows how he does not fit in with the high society of the Eggs and this crucially establishes his isolation within such an environment. George is similar to Gatsby also, in the sense that he always thinks about his work too. This becomes clear in chapter two where he pesters Tom with the question: ‘When are you going to sell me that car?’ This highlights his desperation to make a sale and also suggests that he feels he has to jump on every customer who enters his garage, due to the lack of business he receives. Further, it shows his solitude as he scarcely has any customers and thus does not have any interactions with other people. Nick as narrator, appears to be far more lenient towards Gatsby. Following the deaths of both men, Nick only makes it his duty to sort out Gatsby’s funeral and does not think of George’s. In addition, when Tom wants Nick to meet his mistress in chapter two, Nick says how he had ‘no desire to meet her.’ This statement suggests how Nick feels he is being disloyal to Daisy. He does not think to consider how George would feel knowing about the affair his wife is having with one of his own acquaintances (Tom). Additionally, Nick seems to overlook Gatsby’s criminal behaviours even though he has been given enough evidence to suggest that Gatsby is a gangster. Fitzgerald’s portrayal of both men differs greatly, so much so that they appear to be direct opposites of one another. Gatsby is rich and has a more fulfilling life than George, who suffers the dullness of living in a dump (Valley of Ashes) and the lack of respect from his wife. The relationship between George and his wife is peculiar and goes against the historical view of a married couple. In the Victorian era, women would have had to stay at home in order to attend to maternal duties, whilst the husband would have had to provide the income. Usually the man had the authority over the woman, and in the case of the Wilson’s, there has been a role reversal. However, these two men are linked superficially by their failure to achieve their unattainable dreams which they had been pursuing throughout life. Considering that Gatsby was originally a working class poor man in previous years, and that he and George both die in honour of their failed dreams, suggests that when a poor man tries to enter into a higher social status like Gatsby, their efforts are rendered useless. Not only does this circumstance reveal the divide in society but additionally it emphasises the moral decay of American society amidst the superficial impressiveness of upper-class profligacy.

Creativity in Literacy Practices - 2398 Words

Creativity in Literacy Practices: A TEXTUAL AND CONTEXTUAL APPROACH by Agatha Xaris Villa INTRODUCTION AT PRESENT, THERE ARE A NUMBER OF APPROACHES TO THE STUDY OF LINGUISTIC CREATIVITY. THEY DIFFER IN THE WAY THE WAY THAT THEY CONCEPTUALIZE WHAT COUNTS AS CREATIVENESS OR ‘LITERARINESS’ IN LANGUAGE AS WELL AS IN THE METHODS THEY USE TO IDENTIFY AND ANALYZE CREATIVITY IN EVERYDAY LANGUAGE. This essay begins by discussing and exploring the premises of an analysis of creativity at text level following a textual approach to literacy and creativity; assessing the extent to which it is effective in identify creativity in literacy practices such as diaries, letters and graffiti. However, I would like to continue by presenting the†¦show more content†¦While it is possible to be able to identify creativity in literacy practices at text level, this approach is somewhat limited because it fails to take into account: (1) the interactive features and functions of literacy practice, (2) the influence of its socio-cultural and historical context and more importantly (3) the creativity in language practices that is inherent and emergent from social practices in particular contexts. Therefore, I suggest that a better and more efficient way to identify and evaluate creativity in literacy practices, is one that approaches literacy from a more contextual approach, more specifically from an ethnographic perspective. Creativity and literacy practices from an ethnographic approach According to the ethnographic approach defined by Papen and Tusting (2006, p.312-359), creativity refers the production of something ‘new’ and ‘original’. In written language, creativeness should not be perceived as a decontextualised, individual activity or as being entirely shaped by context. It should be seen as being dependent on and emergent from the creative literacy practices through which texts are constructed because they are shaped by people, who in pursuit of their ownShow MoreRelatedCreativity in Literacy Practices2408 Words   |  10 PagesCreativity in Literacy Practices: A TEXTUAL AND CONTEXTUAL APPROACH by Agatha Xaris Villa INTRODUCTION AT PRESENT, THERE ARE A NUMBER OF APPROACHES TO THE STUDY OF LINGUISTIC CREATIVITY. THEY DIFFER IN THE WAY THE WAY THAT THEY CONCEPTUALIZE WHAT COUNTS AS CREATIVENESS OR ‘LITERARINESS’ IN LANGUAGE AS WELL AS IN THE METHODS THEY USE TO IDENTIFY AND ANALYZE CREATIVITY IN EVERYDAY LANGUAGE. 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The Grapes Of Wrath And Howard s Cinderella - 2174 Words

In a world that is coming apart, due significantly to the 1930’s Depression, family life deteriorates when jobs becomes lost as well as do those whose sense of worth is bound up in them. In both stories, the coping mechanism in males deprived by stress of job loss leads inevitably to a loss of dignity rendering them less able to function as heads of the family. It is at this juncture that women feel the threat to family life is endangered and instinctively cope with the situation, however they can. Lastly, hope, which was sustained, for a time, diminishes for both families, leading to the breaking apart of all that each envisioned. Steinbeck’s The Grapes of Wrath and Howard’s Cinderella Man demonstrate how quickly a family can disintegrate when its hopes are unrealized. The societal weight of job possession, born of social expectation, is sufficiently powerful that its absence is felt in several instances in Cinderella Man. The protagonist, a boxing champion, Jam es Braddok faces a stress of job loss, becoming weaker in the position of a father and a husband in the family. The most legendary boxer the â€Å"Cinderella Man† falls apart due to the economy that has rocked to the bottom. He is unable to pay the bills, and is forced to go on public relief, that his stress starts building up over time. He would come home with money that he made that day which was about $6.24 and calculates how long he has to work to pay off the bills with the look of shame on his face. James is too

The Crucible By Arthur Miller - 993 Words

One of the numerous things that a man can never outrun is his reputation. Several authors throughout the history of literature have used this characteristic of citizens as major conflicts in stories and plays. One such author is Arthur Miller, playwright for the famous 1950’s play, The Crucible. In Miller’s The Crucible, reputation plays an influential role in the outcome of the play. A major portion of the population is led to plead guilty in order to save their reputation, have their reputation ruined by pleading innocent, or ruin their reputations so as to protect others. Several of these characters are Sarah Good, Rebecca Nurse, and John Proctor. The first of multiple characters in Arthur Miller’s play, The Crucible who has their reputation tarnished is Sarah Good. Sarah Good, or Goody Good, was extremely respected in the town of Salem. However, when Abigail Williams and several other young girls began accusing people of witchcraft, she was caught in the cros sfire. 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Arthur Miller used dialogue within the characters to cover the multiple themes; conflicts and resolutions, plus the few directions for the different actions of the play. The Salem Witch Trials were intended to be performed as the play however, when read, it can be more carefully examined and broken down to analyze the techniques. Miller, the playwright, uses literaryRead MoreThe Crucible By Arthur Miller1333 Words   |  6 PagesAs the various characters in The Crucible by Arthur Miller interact, the dominant theme of the consequences of women’s nonconformity begins to slide out from behind the curtains of the play. Such a theme reveals the gripping fear that inundated the Puritans during the seventeenth century. This fear led to the famous witch-hunts that primarily terrorized women who deviated from the Puritan vision of absolute obedience and orthodoxy. Arthur Miller presents his interpretation of the suffering by subtlyRead MoreThe Crucible By Arthur Miller1145 Words   |  5 PagesUnbalance Through The Centuries In Arthur Miller’s play, The Crucible, the author reflects the persecution of communists in America in the 1950’s through a recount of the Salem witch trials. It is often presumed that Miller based his drama directly off of events that were particularly prevalent in the years surrounding the publication of The Crucible- which was released in the year 1953, towards the conclusion of the Korean War. Although there was not a literal witch hunt occurring during this timeRead MoreThe Crucible By Arthur Miller1063 Words   |  5 PagesIn the English dictionary, there are three definitions of the word crucible. One is a metal container in which metals are mixed and melted. Another is a severe test. But the third definition, and the one that I think fits the best for this book, is a place or situation in which different elements interact to create something new. In my mind, this fits because all of the characters had their little grudges and dirty secrets. But when all th ose seemingly little things interact, they formed somethingRead MoreThe Crucible By Arthur Miller1285 Words   |  6 Pages Rationale, Morality, Stereotypes, Pressure, Self-Censorship, Unanimity, and Mindguards. Groupthink has also taken place in our history a a country. The play, The Crucible by Arthur Miller is about a the real-life Salem Witch Trials that happened in 1692 - 1693, in Salem, Massachusetts. Some symptoms of Groupthink found in the Crucible are Rationale, Pressure, and Self-Censorship. The Groupthink symptom, Rationale, is described as when victims of Groupthink ignore warnings: they also collectivelyRead MoreThe Crucible By Arthur Miller811 Words   |  4 Pages While The Crucible, by Arthur Miller, is only a four act play, it still resembles the format of a five act play. The five-act structure evolved from a three-act structure, which was made famous by Roman Aelius Donatus. Donatus came up with three types of plays: Protasis, Epitasis, and Catastrophe. The five-act structure helped to expand the three act structure, mainly made famous by Shakespeare through his many tragedies. Even though The Crucible contains only four acts, it still has the commonRead MoreThe Crucible By Arthur Miller1052 Words   |  5 PagesBuddy Al-Aydi Ms.Healy English 9 CP 14th October 2014 The Crucible Essay The Crucible was a novel written by Arthur Miller in the 1950’s. It was written in a format of the play, portraying an allegory of the Salem Witch-Hunts led by Senator Joseph McCarthy. The book is known to have a inexplicable plot. This plot is advanced by multiple characters in the book in order to ensure that the reader maintains interest with the material that is being read. The farmer, John Proctor, would be theRead MoreThe Crucible By Arthur Miller841 Words   |  4 PagesThe Crucible is a chaotic play, throughout this American classic Arthur Miller takes the reader through multiple events of terror and insanity. While creating a great on-stage play, Arthur Miller portrays his life through the events, the characters, and plot of The Crucible. Using vivid imagery and comprehensible symbolism, Miller manipulates the real personalities of the characters and events in 1600 Salem, Massachusetts to create a symbolic autobiography. Throughout this play, the reader experie nces The Crucible by Arthur Miller - 993 Words Throughout this past semester, we have covered a lot of plays and their films that correspond within those plays. While I have learned a lot along the way I have found that there are certain plays that stuck out. Merchant of Venice, Hamlet, and The Importance of Being Earnest were among some of these plays from this semester. However, one of my personal favorites is The Crucible. I was able to uncover many themes from this play such as secret sin, lies and deceit, and religion. The Crucible stood out to me from the rest of the plays. I was able to relate to it on a greater scale than the others, and the story behind the Crucible interested me very much. Also I notice a theme of secret sin. I thoroughly enjoyed reading this play as well as watching the movie. In research, I have read numerous facts on the Salem witch trials and have discovered that the witch trials are a very wide known topic which possesses many different opinions on the subject. The mass hysteria over witches started these trials. Since held in 1692, television programs today consist of witch characters in their series including some bad and some good. Clearly, the thought of witches has made its way to our world now-a-days. An obvious theme in this play is lies and deceit. Most of the characters in The Crucible are lying – if not to other people, then to themselves. Abigail lies about her ability to see spirits, as do the other girls; Proctor is deceitful first for cheating on his wife and then for hidingShow MoreRelatedThe Crucible By Arthur Miller1269 Words   |  6 PagesAt first glance, the playwright Arthur Miller in The Crucible highlights the historical significance of the Salem Witch Trials of 1692, but in fact it is an allegorical expression of his perception of McCarthyism. If the reader has some background information on Arthur Miller’s victimization as a communist, it is evident that the play is a didactic vessel illustrating the flaws of the court system in the 1950’s. The communist allegations were launched at government employees, entertainers and writersRead MoreThe Crucible By Arthur Miller1681 Words   |  7 Pagesof their way to the last dying breath to make sure they leave with a good or bad reputation. In one of the recent literature study in class â€Å"The Crucible† by Arthur Miller, Miller uses characterization to illustrate reputation throughout the play. â€Å"The Crucible† takes place in Salem, Massach usetts. It is based upon the Salem witch trails. In â€Å"The Crucible†, we journey through the life of three characters who reputations plays a major role in the play. The three characters are John Proctor, AbigailRead MoreThe Crucible By Arthur Miller1333 Words   |  6 PagesAs the various characters in The Crucible by Arthur Miller interact, the dominant theme of the consequences of women’s nonconformity begins to slide out from behind the curtains of the play. Such a theme reveals the gripping fear that inundated the Puritans during the seventeenth century. This fear led to the famous witch-hunts that primarily terrorized women who deviated from the Puritan vision of absolute obedience and orthodoxy. Arthur Miller presents his interpretation of the suffering by subtlyRead MoreThe Crucible By Arthur Miller998 Words   |  4 Pagesmotivated by jealousy and spite. The Crucible is a four-act dramatic play production that was first performed on January 22, 1953. Arthur Miller used dialogue within the characters to cover the multiple themes; conflicts and resolutions, plus the few directions for the different actions of the play. The Salem Witch Trials were intended to be performed as the play however, when read, it can be more carefully examined and broken down to analyze the techniques. Miller, the playwright, uses literaryRead MoreThe Crucible By Arthur Miller1145 Words   |  5 PagesUnbalance Through The Centuries In Arthur Miller’s play, The Crucible, the author reflects the persecution of communists in America in the 1950’s through a recount of the Salem witch trials. It is often presumed that Miller based his drama directly off of events that were particularly prevalent in the years surrounding the publication of The Crucible- which was released in the year 1953, towards the conclusion of the Korean War. Although there was not a literal witch hunt occurring during this timeRead MoreThe Crucible By Arthur Miller1063 Words   |  5 PagesIn the English dictionary, there are three definitions of the word crucible. One is a metal container in which metals are mixed and melted. Another is a severe test. But the third definition, and the one that I think fits the best for this book, is a place or situation in which different elements interact to create something new. In my mind, this fits because all of the characters had their little grudges and dirty secrets. But when all th ose seemingly little things interact, they formed somethingRead MoreThe Crucible By Arthur Miller1285 Words   |  6 Pages Rationale, Morality, Stereotypes, Pressure, Self-Censorship, Unanimity, and Mindguards. Groupthink has also taken place in our history a a country. The play, The Crucible by Arthur Miller is about a the real-life Salem Witch Trials that happened in 1692 - 1693, in Salem, Massachusetts. Some symptoms of Groupthink found in the Crucible are Rationale, Pressure, and Self-Censorship. The Groupthink symptom, Rationale, is described as when victims of Groupthink ignore warnings: they also collectivelyRead MoreThe Crucible By Arthur Miller811 Words   |  4 Pages While The Crucible, by Arthur Miller, is only a four act play, it still resembles the format of a five act play. The five-act structure evolved from a three-act structure, which was made famous by Roman Aelius Donatus. Donatus came up with three types of plays: Protasis, Epitasis, and Catastrophe. The five-act structure helped to expand the three act structure, mainly made famous by Shakespeare through his many tragedies. Even though The Crucible contains only four acts, it still has the commonRead MoreThe Crucible By Arthur Miller1052 Words   |  5 PagesBuddy Al-Aydi Ms.Healy English 9 CP 14th October 2014 The Crucible Essay The Crucible was a novel written by Arthur Miller in the 1950’s. It was written in a format of the play, portraying an allegory of the Salem Witch-Hunts led by Senator Joseph McCarthy. The book is known to have a inexplicable plot. This plot is advanced by multiple characters in the book in order to ensure that the reader maintains interest with the material that is being read. The farmer, John Proctor, would be theRead MoreThe Crucible By Arthur Miller841 Words   |  4 PagesThe Crucible is a chaotic play, throughout this American classic Arthur Miller takes the reader through multiple events of terror and insanity. While creating a great on-stage play, Arthur Miller portrays his life through the events, the characters, and plot of The Crucible. Using vivid imagery and comprehensible symbolism, Miller manipulates the real personalities of the characters and events in 1600 Salem, Massachusetts to create a symbolic autobiography. Throughout this play, the reader experie nces

Death Metal Music Essay Example For Students

Death Metal Music Essay Talent is a thing that is often recognized in people at a young age, but if not nurtured properly, nothing can be made of it. From the moment he received his first electric guitar, it was evident that Chuck Schuldiner had an aptitude and a passion for playing the instrument. He practiced honing his craft every day, eventually leading to him becoming one of the most prominent figures in the heavy music scene. Schuldiner is often regarded as the father of death metal. With the creation of his band Death, he brought this new style of music to the masses. His technical skills, shredding solos, and catchy riffs are staples of Death’s sound, and became hallmarks of the death metal movement. Chuck’s contribution to music is one of the most drastic and significant additions to the hard rock and heavy metal styles, and he has a major following. Death metal is one of the more extreme types of music, and while it is not a popular style with many, it should not be dismissed as mere noise; it should be regarded as a well respected genre due to its loyal following. It is a complex and intricate art form. While inspiration for this genre came from Scandinavian black metal, the themes, subject matter, and tone of the two genres are different. While black metal music often creates dark, somber atmospheres, with slow heavy riffs growling satanic lyrics; death metal takes a different approach by speeding up the heavy riffs and choruses, adding more complexity to them, and by not restricting the lyrical freedom of the artist. It is a common misconception that death metal singers stereotypically sing only about death and Satan. While there are many bands that adopt this trend, it is not a requirement. Schuldiner played a major role in shaping the style of death metal, and drew inspiration from the rapidly evolving metal genre. Schuldiner was born on May 13, 1967 on Long Island, New York. Soon after he was born, his family moved to Florida. At 9, his older brother had died in a car accident, and this sent him into depression. His parents bought him an acoustic guitar, thinking that it would help Schuldiner deal with the loss of his sibling. At first he was not interested in learning guitar because he didn’t find it appealing. When his parents saw an old electric guitar at a garage sale, they bought it for him thinking that he might enjoy it more. Schuldiner took to the instrument as soon as he saw it. He would often spend most of his time practicing, except during school weeks when he would only practice 3 hours a day. He was influenced by many rock and heavy metal artists, such as Iron Maiden, Metallica, Kiss, and others. Schuldiner continued to practice and teach himself the guitar, and while he was a good student, he later dropped out because he got bored with education. He later regretted this decision, and claims that if he had not become a musician, he would have liked to have become a cook or a veterinarian. At the age of 16, Schuldiner formed the band Mantas, which he later renamed Death. He was the songwriter and lyricist of the band, and composed all of the melodies. He was the only constant member of the band throughout its existence. Contrary to what many people believe, he never received a formal musical education. He claims that he has taught himself by ear, and he managed to discover scales by himself. He most frequently used minor or harmonic minor. He would also discover and create his own type of scales that complimented his fast playing, and odd finger positioning. However, the thing that defined the style of his solos and made them instantly recognizable was his alternate pick runs during solos. The notes would often be played at blazing fast speeds, coupled with the odd phrasing, allowed him to cram a lot of notes into one beat, yet somehow still manage to keep the fluidity of the solo. This technique isn’t as evident in their earlier albums. .ucf65636f5a97b731a7f06b52cf49eb99 , .ucf65636f5a97b731a7f06b52cf49eb99 .postImageUrl , .ucf65636f5a97b731a7f06b52cf49eb99 .centered-text-area { min-height: 80px; position: relative; } .ucf65636f5a97b731a7f06b52cf49eb99 , .ucf65636f5a97b731a7f06b52cf49eb99:hover , .ucf65636f5a97b731a7f06b52cf49eb99:visited , .ucf65636f5a97b731a7f06b52cf49eb99:active { border:0!important; } .ucf65636f5a97b731a7f06b52cf49eb99 .clearfix:after { content: ""; display: table; clear: both; } .ucf65636f5a97b731a7f06b52cf49eb99 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ucf65636f5a97b731a7f06b52cf49eb99:active , .ucf65636f5a97b731a7f06b52cf49eb99:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ucf65636f5a97b731a7f06b52cf49eb99 .centered-text-area { width: 100%; position: relative ; } .ucf65636f5a97b731a7f06b52cf49eb99 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ucf65636f5a97b731a7f06b52cf49eb99 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ucf65636f5a97b731a7f06b52cf49eb99 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ucf65636f5a97b731a7f06b52cf49eb99:hover .ctaButton { background-color: #34495E!important; } .ucf65636f5a97b731a7f06b52cf49eb99 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ucf65636f5a97b731a7f06b52cf49eb99 .ucf65636f5a97b731a7f06b52cf49eb99-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ucf65636f5a97b731a7f06b52cf49eb99:after { content: ""; display: block; clear: both; } READ: Understanding Hymns EssayThe style of these albums was more of a fast paced power chord attack, and while it still showcased his guitar abilities, he would still not showcase his skills properly. However 1991’s, Human, showcased a more technical and advanced playing style, never before heard from Schuldiner. Most of his contribution was towards metal guitar, Schuldiner also played a major role in developing the staple techniques for death metal growls. For the most part, death metal singers use a deep, guttural sounding growls to convey their lyrics. In the beginning of his career, Schuldiner also adopted this technique for the vocals on his songs, throwing his own twist on it due to his unique pronunciation. The slow, deep growl in the beginning of the song, Leprosy, is one of the most somber, dark growls that he has recorded, and set a great tone for the song and the rest of the album. In his later works, however, Schuldiner began using more higher pitched, screeching vocals. This complemented the faster pace of his newer songs, and was meant to add a sense of panic and tension to the songs. In the song, Symbolic, his singing helps to send the pain he is feeling of relieving old memories, and of the loss of innocence as one grows older. All of these vocal techniques wouldn’t be worth perfecting if Schuldiner didn’t have a message to send. Schuldiner’s lyrics would often focus on the typical topics related to death metal, such as death and the torment one feels, but in his third album, he decided to take the themes of his songs in a new direction. When, Spiritual Healing, was released, the lyrics to the songs consisted of hot debate topics, such as his anti-drug stance the issue of abortion. These songs, like most of his songs, deal with many social and political issues, rather than just death and despair. Schuldiner had discovered the influence that music had on people, and decided to promote other ideologies, such as animal rights and civil issues. In, Altering the Future, he condemns the practice of abortion, claiming that striping someone of their right to live is unfair and unjust: â€Å"Creating a life only to destroy/ Born to be thrown in the trash to rot/ Abortion, when it is needed/ Execution for those who deserve it/ The giving and taking of life will always be. Schuldiner is arguing of the unfairness of making a choice regarding someone else’s life, castigating the way in which people can so easily disregard another human being. By trying to bring this issue to light, Schuldiner demonstrates that death metal bands shouldn’t be stereotyped as aggressive and dimwitted. His lyrics and prove that they are educated individuals capable of compassion. Chuck Schuldiner’s influence on modern music stems from his creation of what is now considered death metal, through the use of his guitar and vocal skills, and lyrical ideas and themes. From his early years, it was evident that he had a natural talent and ear for music. Chuck managed to influence future generations of music and keep his legacy alive. There may not be many musicians in the death metal genre that many people unfamiliar with this type of music note, but Schuldiner’s contributions are worthy of recognition.

Plowing UP New Soil with World Agriculture Essay Example For Students

Plowing UP New Soil with World Agriculture Essay Plowing UP New Soil with World Agriculture Essay Since agriculture began to be developed nearly 10,000 years ago, people throughout the world have discovered the food value of wild plants and animals, and domesticated and bred them (Early Civilization). Today, people go to the market or grocery store to pick up cereal, rice, bread, meat, fruit, vegetables, and olives. People hardly ever think of where the food generally comes from. Most of the food that is found in the grocery store wouldnt be possible without world agriculture. Farming used to be primarily a family enterprise and to a large extent still is in most countries. In the more developed areas, however, more efficient large-scale operations are overtaking the smaller family farms. These large farms usually specialize in one crop or one type of crop and often are run by giant parent cooperations. Such farms are part if the current trend toward more controlled and cost-effective agriculture. The goal in agriculture has almost always been increased production and decreased labor (Early Civilization). In the early 1900s the American farm, for example, was run by the muscles of people of draft animals. Today machines of great size and complexity accomplish in hours what took many of those people and animals days to complete (Timelines of the Ancient World). There are still family farmers similar to those of the earlier era in the most industrialized nations, but they are becoming fewer every year. There are also small-scale systems in many emerging nations of the world. But the trend almost everywhere is toward larger farms that are mechanized and utilize the latest scientific agricultural methods to provide products more effectively. In the mid-1990s, 48 percent of the worlds labor force was employed in agriculture. The distribution ranged from 61 percent of the economically active population in Asia to less than 23 percent in the United States and Canada. In Africa the figure was 60 percent; in South America 20 percent; and in Europe, 9 percent. The farm size varies ubiquitously from region to region. In the 1990s the average for Canadian farms was about 654 acres per farm; for farms in the United States, 469 acres. By comparison, the average size of a single land holding in the Philippines was 6.5 acres. The size also depends on the purpose of the farm (Compton 95). Commercial farming, or production for cash, is usually on large equities. Single-crop plantations normally produce tea, rubber, and cocoa. Wheat farms are most competent when they comprise 1000s of acres and they can be managed by teams of people and machines. Livestock farms and Australian Sheep Stations must be immense enough to provide grazing for thousands of animals. The agricultural plots of Chinese communes and the cooperative farms held by Peruvian communities and other necessarily large agricultural units, as well as were the farms that were operated and owned by state employees in the former Union of Soviet Socialist Republics (USSR). Much of the foreign exchange earned by a single country may be derived from a discrete agricultural commodity; for example, Denmark specializes in dairy products, Sri Lanka relies on tea, Australia in wool, and New Zealand and Argentina in meat products. In the United States, wheat, corn, and soybeans have become major foreign exchange commodities in recent decades. Each individual country has an importance as an exporter of agricultural products relying on many factors. Among them is the possibility that the country is too small developed industrially to produce manufactured goods in sufficient quality on technical sophistication. Some agricultural exporters include Ghana, with cocoa, and Myanmar (Burma), with rice. However, a well-developed country may produce surpluses that are not needed by its own population; for example the United States, Canada, and some Western European countries (Compton 95). Because each nation depends on agriculture not only for food but for national income and raw materials for industry as well, trade in agriculture is a continuing international concern. It is governed by international agreements such as the General Agreement on Tariffs and Trade (GATT), the North American Free Trade Agreement (NAFTA), and by trading regions such as the European Community. Jimmy Carter Essay The Food and Agricultural Organization (FAO) of the United Nations .